©Independent Project. US, 1985.
‟Ceremonial started with "Andelusia", which sounded completely different to the beastly Tragic Figures; this was driving post-punk that went back to Joy Division for inspiration. What was different was the desire for soloing by both the guitar and the keyboards, which treated the rhythmic backbone as a canvas on top of which they "painted" an atmosphere. Symphonic "atmosphere" and melody also prevailed in "Walking Backwards", though the pounding post-punk rhythm was also ever present. Truth be told this didn't sound very different to the gothic-rock of bands like The March Violets. "A Thousand Days" confirmed the method: get a melody, apply it in a pounding rhythm, and then jam along it's confines. A new facet was finally shown in "Mediterranea", which was ethnic and more luminous psychedelic.
So far, so good, but unspectacular. "Ceremonial" increased the duration and thus the space for the guitar and keyboard to engage in acrobatic jamming; they didn't disappoint, but they didn't offer anything new either. The 9-minute "The Year Of Exile" sort of did (at first), by going back to the ethnic psychedelia of "Mediterranea" and viewing it from a more manic angle, but then it soon reverted to their usual atmospheric gothic-rock; they also came the closest here to the tribal dementia of Tragic Figures in the penultimate leg of the track, whereas the last leg slowed down and wallowed in one of their symphonic themes.
Let's be honest here, this is a vastly inferior album to the debut, and also a confused one, but because Savage Republic are so talented performers it makes up for it. Barely.‟
Ily
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