Mostrando entradas con la etiqueta Eis Und Licht. Mostrar todas las entradas
Mostrando entradas con la etiqueta Eis Und Licht. Mostrar todas las entradas

lunes, 9 de enero de 2012

CLXVII. Lux Interna | Ignis Mutat Res



















Ignis Mutat Res
©Eis Und Licht. Deutschland, 2004.


‟With their songs steeped in a spiritual and romantic tradition Lux Interna sit within the dark folk genre. Their music is primarily acoustic folk, swathed in string arrangements, but just as their erudite and poetic lyrics delivered by the twin vocalists, Joshua and Kathryn Gentzke, seek to locate the divine, their music strives to break free of the confines of the neo-folk genre. [a lantern carried in blood and skin] carries elements of dark Americana, ethereal folk music, misty atmospherics and at points the voices combine to create something closer to country and western.

You can piece together the trajectory of the group through the selection of tracks from the skeletal acoustic tracks of 'For An Autumn Girl' and 'Flowers Under Glass', where Kathryn's delicate tones takes the lead over the still, frosted setting of piano, guitar and tambourine accompaniment. These contributions from Absence and Plenum are sparse when compared to the rich arrangements of Ignis Mutat Res. The forceful ringing dark folk and dramatic strings of 'Horizon' where Joshua Gentzke voice resonates deeply, shadowed by the smooth gentle female voice of his wife, Kathryn is a strong opening track. And while 'Horizon' shares an affinity with fellow Americans Backworld, 'A Season Apart' captures a feeling of desperation as Gentzke's impassioned cries break over heavy piano chords, giving way to rolling drums before settling into a sort of decadent European feel as violins scrape furiously as an agglomeration of voices combine to intone: "this rune is carved in skin, yet deeper within..." It's impressive stuff.
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domingo, 20 de noviembre de 2011

CXXVI. Neutral | Serpents In The Dawn




















Serpents Of The Dawn
©Eis Und Licht. Deutschland, 2008.


‟The omnipresent violin breaks the melody into ‘Tales of Men and Trees’, doubling, swaying and changing. ASH’s grave voice takes over the song as soon as it appears. The melody is frugal, repetitive and circular. The guitar notes crackle trough the melody, their laconic sound counterpointing the elongated notes of the violin. The song is pure neo folk, melancholic, tainted in darkness and tantalizingly dipped in nature. With releases (both digital and physical) in Cynfeirdd, Heimdallr, Brudenia and now Eis & Licht , in ‘Serpents in the Dawn’ the Russian dark folk pioneers have reached a peak in their production. The delicacy in each song shimmers through the contrast of the voice line. The references to Current 93 especially, melodic Death in June and the more classic formations is obvious, but always appears with a personal touch. ‘The Starfall of the Nevermore’ is one of the examples: A tune that picks up DIJ ‘Something is Coming’ era, with a piercing chiming percussion, a languid violin melody and guitar arpeggios. The crude and straightforward tune the voice carries, taking turns against the violin spotlight. The inclusion of a female voice reciting, and the return to the main voice composition. A simple and precious work of art for any neofolk lover...‟

Isis