Mostrando entradas con la etiqueta Rough Trade. Mostrar todas las entradas
Mostrando entradas con la etiqueta Rough Trade. Mostrar todas las entradas

lunes, 2 de enero de 2012

CLIX. Cabaret Voltaire | Mix-Up





















Mix-Up
©Rough Trade. UK, 1979.


‟Cabaret Voltaire were the grim Northern counterpart to Throbbing Gristle's London screech and squallor, and it is well known that these kindred spirits both birthed and pioneered the Industrial music genre.  Whereas TG were willfully repellent and menacing, the Cabs had a more seductive element to there menacing music, which seemed to slither with a subtle sexuality.

This was achieved mostly by their incorporating of funk and dub reggae, which would gradually move to the forefront of their sound as their career progressed.  Another influencial musical factor loomed much larger during this, the initial stages of their discography: German Krautrock.  They would willfully admit a heavy debt to both Can and Faust and the improvisational techniques both bands employed.

With these influences in mind, it's much easier to grasp the mindset and intent of their debut full-length Mix-Up.  What may sound like aimless experimentation for the sake of it, will reveal itself as hypnotic and instinctual, yet disciplined and thought out musical innovation.  This album takes multiple listens to penetrate, but after getting past the initial murk and haze, you'll discover:

1) Another stellar example of their knack for creating compelling cover versions of songs which are excitingly unrecognizable, or at least severally distorted from the original.  In this case it's done to The Seeds' "No Escape."

2) A completely engrossing and absolutely terrifying description of the LSD experience in the harrowing "Heaven and Hell."

3) One of their musical peaks and the only song on the album to feature live drumming, "On Every Other Street" is Cabaret Voltaire firing on all cylinders and engulfs the listener in a wave of lurching, trippy, robotic funk for the paranoid.

Ultimately, while this album does lull in some places and is not a masterpiece, it holds up extremely well when compared to all of their follow-ups and when taken as a whole, is quite an awesome experience.  A landmark of the Industrial and Post-Punk genres, as well as the legendary label Rough Trade, it is well worth seeking out and is also a good place to start with this band, if you aren't a fan of "best of" compilations.  It's also worth noting that Cabaret Voltaire released excellend singles and EPs and some of their best and most well-known material is not included on their studio albums.  So in addition, I would highly suggest tracking down the Living Legends compilation, which collects all the early singles and EPs.
‟

Bennyshambles



sábado, 13 de agosto de 2011

XLIX. Chris & Cosey | Trance




















Trance
©Rough Trade. UK, 1982.


‟Chris & Cosey's 2nd album for Rough Trade, 'Trance' was originally released a year after their seminal 'Heartbeat' LP, in 1982. This is the first time it's been reissued on vinyl in two decades, landing with impeccable timing in the midst of a cold wave revival. The genius electronic auteur, Chris Carter, and the agent provocateur, Cosey Fanni Tutti moved into even darker territory with these eight tracks, using Chris's dynamic studio innovations and Cosey's notorious imagination to articulate unspoken feelings of darkest misanthropy. The atmosphere of 'Trance' is unremittingly overcast and reassuringly darkside, from the cyber-tribal ritual sequences of 'The Giants Feet' and the immaculate electro sting of 'Impulse' to the opiated Arabesque 'The Gates Of Ancient Cities' maintaining a visceral tang and taste for the "other". Even when they go more poppy, like with Cosey's naif vocals and woozy cornet on 'Secret' or the jaunty gallop of 'Until', they're still ten shades shy of uplifting and pretty much define that feeling of dystopian futurism that so many look for in classic early '80s electro. This really is one of the most future-thinking, incredibly produced and timeless artefacts from the early 80's cold-synth scene, and comes to you with our highest possible recommendation.‟

 Boomkat