Mostrando entradas con la etiqueta The Shroud. Mostrar todas las entradas
Mostrando entradas con la etiqueta The Shroud. Mostrar todas las entradas

miércoles, 11 de enero de 2012

CLXIX. Various Artists | The Passion Of Covers - A Tribute To Bauhaus





















The Passion Of Covers - A Tribute To Bauhaus
©Cleopatra. US, 1996.


‟This one would've been hard to screw up. Who's not gonna jump in on a Bauhaus tribute CD? They have (mostly) good bands doing all the hits.

The Electric Hellfire Club's cover of "Bela" stays close to the original, as do several other tracks. Faith and The Muse's "Hollow Hills" is a reminder that any good comp sparks interest in the featured bands. Fahrenheit 451 and Eva O take "The Three Shadows (Part II)" in a fresh direction. (Now that Brendan Perry is pretty much retired, Athan Maroulis is neck-and-neck with Peter Murphy for Best Male Voice in dark music.) Black Atmosphere's "Muscle In Plastic" and Wreckage's "Largartija Nick" are the strongest reminders of the role punk played in early goth.

Two Witches' cover of "King Volcano" isn't as bad as others have claimed; it's a goofy song to begin with. The only real problem is that the singer sounds like he just had a novocaine shot. Makes you appreciate This Ascension's "In The Flat Field" that much more. "She's In Parties" continues Ikon's homage to Ian Curtis. Blade Fetish provides a perfect closing with "All We Ever Wanted Was Everything."

The "Multi-Image" cover is nifty, and the bands bring enough new flavor to merit the compilation. I'd give it five stars if it had Faith and The Muse covering "Silent Hedges".‟ 

Scott Sweet




jueves, 7 de julio de 2011

XXI. The Shroud | Long Ago And Far Away




















THE SHROUD
Long Ago And Far Away
©Omnidisk. US, 1996.


‟Lead by the pretty vocals of Lydia Fortner, The Shroud utilize traditional rock instrumentation with keyboards, and instead of representing one subdivision of gothic, they play with its different incarnations. The band apply a slightly ethereal approach while maintaining a harder edge, and Fortner's vocals are not as dreamy as the singing in the very popular ethereal camp, giving them more distinction. The quality of her voice is reminiscent of Victoria Lloyd of Claire Voyant or Monica Richards from Faith & The Muse.‟

Carpe Noctem